presents

(in cooperation with Mulè Agency)

Marcel Beaulieu
bass

Some of Mr. Beaulieu's many performed roles include Arkel (Pelléas et Mélisande), Truffaldin (Ariadne auf Naxos), Sarastro (Die Zauberflöte), Gianni Schicchi (Gianni Schicchi), Nourabad (Les Pêcheurs de Perles), Count Ceprano (Rigoletto), Bottom (A Midsummer Nights Dream), the Bonze (Le Rossignol), Don Alfonso (Cosi fan Tutte), Prince de Bouillon (Adriana Lecouvreur), Le Marquis d'Obigny (La Traviata), First Soldier (Salome), Rocco (Fidelio), and Attilla (Attilla) with companies like Opera Hamilton,Opera Mississauga, Premiere Opera Company, Opera Lyra Ottawa, and l'Opèra de Québec.

In addition to his opera credits, this graduate in Voice Performance from the Université Laval has an extremely busy schedule singing in oratorio performances with noted orchestras throughout the country, including the venerable National Arts Centre Orchestra in Ottawa, where he sang in Dvorak’s Stabat Mater, with the Kitchener Waterloo Philharmonic Choir , and Bach’s St. Matthew Passion with the Orchestre Symphonique du Saguenay-lac-Saint-Jean and a much acclaimed guest solo performance in Handel's Messiah.

Other appearances were with the Thunder Bay Symphony Orchester in Haydn's The Creation, Mozart's Requiem with l'Orchestre Symphonique du Saguenay-Lac-Saint-Jean, Puccini's Messa di Gloria with l'Orchestre Symphonique du Noveau Monde, Rossini's La Petite Messe Solennelle with Les Rhapsodes of Quebec, Fauré's Requiem and Dubois' The Seven Last Words of Christ with l'Orchestre Symphonique du Nouveau Monde, and Liszt's Missa Solemnis with l'Orchestre de la Société philharmonique de Montréal.

His most recent performance with the Kitchener-Waterloo Philharmonic Choir was a highly successful showing in Enn's The Silver Chord and Boito's Prologue to Mephistophele, both pieces being conducted by Howard Dyck.